"Le carnaval des animaux, R. 125: IV. Tortues" by Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm was released on January 1, 2009. With Le carnaval des animaux, R. 125: IV. Tortues being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Saint-Saens: Carnival of the Animals". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Le carnaval des animaux, R. 125: IV. Tortues is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le carnaval des animaux, R. 125: IV. Tortues by Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Heinzelmännchen | Joseph Hellmesberger, Jr., Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 1 | 5B | 94 BPM | ||
Kleine Chronik, Polka schnell, Op. 128 | Eduard Strauss, Daniel Barenboim, Wiener Philharmoniker | C Major | 5 | 8B | 176 BPM | ||
Wiener Bürger, Walzer, Op. 419 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | C Major | 1 | 8B | 97 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 95 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
Requiem In D Minor, K.626: 4. Offertorium: Domine Jesu | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Helga Muller-Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 85 BPM | ||
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM |