Thomanerchor Leipzig's 'Chor: Fecit Potentiam (Magnificat D-Dur,BWV243/Mag' came out on October 24, 2014. The duration of Chor: Fecit Potentiam (Magnificat D-Dur,BWV243/Mag is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Chor: Fecit Potentiam (Magnificat D-Dur,BWV243/Mag's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Thomanerchor Leipzig's "Lobet den Herren" album is number 14 out of 15. Based on our statistics, Chor: Fecit Potentiam (Magnificat D-Dur,BWV243/Mag's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chor: Fecit Potentiam (Magnificat D-Dur,BWV243/Mag by Thomanerchor Leipzig to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salve Regina pour soprano, contre-ténor et basse continue: I. Salve Regina (Adagio) | Domenico Scarlatti, Vox Luminis, Lionel Meunier | A♭ Major | 3 | 4B | 124 BPM | ||
Motet: Singet dem Herrn BWV 225: 3. Lobet den Herrn - Live | Johann Sebastian Bach, Joachim Kühn, Thomanerchor Leipzig, Georg Christoph Biller | C Minor | 7 | 5A | 88 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM | ||
Der Himmel lacht, die Erde jubilieret, BWV 31: No. 2, "Der Himmel lacht, die Erde jubilieret" | Johann Sebastian Bach, Thomanerchor Leipzig, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Armin Mannel, Hartmut Thieme, Harry Haertel, Peter Fischer, Burkhard Schmidt, Heinz Morawietz, Almuth Reuter | C Major | 4 | 8B | 78 BPM | ||
Kyrie, RV 587: Kyrie eleison | Antonio Vivaldi, Eve Rachel McLeod, Jennifer Ens Modolo, Aradia Ensemble, Kevin Mallon | B Minor | 2 | 10A | 112 BPM | ||
Jesu meines Lebens Leben, BuxWV 62: Jesu meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Margaretha Consort, Marit Broekroelofs | D Minor | 1 | 7A | 103 BPM | ||
Petite messe solennelle: Offertorium. Prélude religieux | Gioachino Rossini, Christophe Henry, Orchestre de chambre de Paris, Ottavio Dantone | D♭ Major | 0 | 3B | 89 BPM | ||
Concerto Saint Marc: I. Grave | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | B♭ Major | 1 | 6B | 68 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Messe basse: Kyrie | Gabriel Fauré, Ruth Holton, The Cambridge Singers, John Scott, John Rutter | E♭ Major | 1 | 5B | 96 BPM |