"Puccini: Madama Butterfly , Act 2: "Con onor muore" (Butterfly, Pinkerton)" by Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano was released on 1955. With this song being about 5 minutes long, at 5:25, "Puccini: Madama Butterfly , Act 2: "Con onor muore" (Butterfly, Pinkerton)" by Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 36 in the song's album "Puccini: Madama Butterfly (1955 - Karajan) - Callas Remastered". In this album, this song's track order is #36. Puccini: Madama Butterfly , Act 2: "Con onor muore" (Butterfly, Pinkerton) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Madama Butterfly , Act 2: "Con onor muore" (Butterfly, Pinkerton) by Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde (1988 Digital Remaster), Act III, Scene III: Mild und leise wie er lächelt (Isoldes Liebestod) | Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 176 BPM | ||
La Bohème / Act 2: "Chi guardi?" - "Ecco i giocattoli di Parpignol" | Giacomo Puccini, Luciano Pavarotti, Nicolai Ghiaurov, Mirella Freni, Gianni Maffeo, Gernot Pietsch, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 172 BPM | ||
Puccini: Madama Butterfly, Act 1: "Questa è la cameriera" (Goro, Pinkerton, Suzuki, Sharpless) | Giacomo Puccini, Lucia Danieli/Nicolai Gedda/Mario Borriello/Renato Ercolani/Orchestra del Teatro alla Scala, Milano/Herbert von Karajan, Herbert von Karajan, Lucie Danieli, Mario Borriello, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | C Major | 2 | 8B | 105 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM | ||
Tosca / Act II: Dov'è Angelotti? (Scarpia, Cavaradossi, Spoletta, Tosca) | Giacomo Puccini, Katia Ricciarelli, José Carreras, Heinz Zednik, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 87 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Bizet: Carmen, Act 1: "Près des remparts de Séville" (Seguédille) [Carmen] | Georges Bizet, Maria Callas, Georges Prêtre, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 83 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act 1: "Printemps qui commence" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | E Major | 1 | 12B | 100 BPM | ||
Parsifal / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" | Richard Wagner, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 66 BPM | ||
Tosca, SC 69, Act II Scene 5: "E qual via scegliete?" (Scarpia, Tosca) - Live Recording, Paris, 19 December 1958 | Orchestre de l'Opéra National de Paris, Georges Sebastian, Maria Callas, Tito Gobbi | D Major | 4 | 10B | 76 BPM |