"Dukas : La péri : II La Péri" by Paul Dukas, Armin Jordan, L'Orchestre de la Suisse Romande was released on 1985. Dukas : La péri : II La Péri appears to be safe for all ages as it is not explicit. The song is number 3 out of 6 in Dukas : L' Apprenti sorcier [The Sorcerer's Apprentice], La péri & Symphony in C major (Apex) by Paul Dukas, Armin Jordan & Orchestre de la Suisse Romande, Armin Jordan, Nouvel Orchestre Philharmonique de France, L'Orchestre de la Suisse Romande. In terms of popularity, Dukas : La péri : II La Péri is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dukas : La péri : II La Péri by Paul Dukas, Armin Jordan, L'Orchestre de la Suisse Romande is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Concerto No. 4 in E-Flat Major, K.495: III. Rondo. Allegro Vivace | Wolfgang Amadeus Mozart, Felix Klieser, Camerata Salzburg | B♭ Major | 1 | 6B | 122 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
"Pomp and Circumstance," Op.39: March, No.1 in D | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 72 BPM | ||
Variations, interlude et finale sur un thème de Rameau: IV. Var. III. Sans hâte, Délicatement | Paul Dukas, Vincenzo Maltempo | A Minor | 1 | 8A | 66 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Persischer Marsch, Op.289 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 207 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM |