Henryk Górecki, Colin Stetson's 'SORROW: II (Extract) - a reimagination of Gorecki's 3rd Symphony' came out on April 8, 2016. With this song being about 5 minutes long, at 4:54, "SORROW: II (Extract) - a reimagination of Gorecki's 3rd Symphony" by Henryk Górecki, Colin Stetson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 4 in the song's album "SORROW - a reimagining of Gorecki's 3rd Symphony (Extracts)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, SORROW: II (Extract) - a reimagination of Gorecki's 3rd Symphony is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With SORROW: II (Extract) - a reimagination of Gorecki's 3rd Symphony by Henryk Górecki, Colin Stetson having a テンポ of 110 with a half-time of 55 テンポ and a double-time of 220 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Das Rheingold, WWV 86A, Scene 1: Prelude | Richard Wagner, Hallé, Sir Mark Elder | E♭ Major | 0 | 5B | 73 BPM | ||
Avril 14th | Aphex Twin, Daniel Hope, Jacques Ammon, Christoph Anacker, Jane Berthe, Kaiser Quartett | D♭ Major | 0 | 3B | 144 BPM | ||
The Unanswered Question | Charles Ives, Oregon Symphony, Carlos Kalmar | F Major | 0 | 7B | 66 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
3 Film Scores: No. 3. Face of Another: Waltz | Toru Takemitsu, Bournemouth Symphony Orchestra, Marin Alsop | A♭ Major | 1 | 4B | 112 BPM | ||
Symphony No. 3, Op. 36: II. Lento E Largo — Tranquillissimo | Henryk Górecki, Lisa Gerrard, Yordan Kamdzhalov, Genesis Orchestra | A♭ Major | 7 | 4B | 93 BPM | ||
La Traviata, Act III - Preludio, scena e aria: Annina? | Giuseppe Verdi, Teodor Currentzis | C Major | 0 | 8B | 117 BPM | ||
Requiem, Op. 48: I. Introït | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | B♭ Major | 0 | 6B | 71 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Daniel Hope, Jacques Ammon | A♭ Major | 0 | 4B | 72 BPM |