"3 Film Scores: No. 3. Face of Another: Waltz" by Toru Takemitsu, Bournemouth Symphony Orchestra, Marin Alsop was released on July 25, 2006. The duration of 3 Film Scores: No. 3. Face of Another: Waltz is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. 3 Film Scores: No. 3. Face of Another: Waltz's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Takemitsu: Orchestral Works". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, 3 Film Scores: No. 3. Face of Another: Waltz is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Film Scores: No. 3. Face of Another: Waltz by Toru Takemitsu, Bournemouth Symphony Orchestra, Marin Alsop having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Serenade: IV. Agathon: Adagio | Leonard Bernstein, Philippe Quint, Timothy Walden, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Pavane pour une infante défunte - Orchestral version | Maurice Ravel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 0 | 9B | 142 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich (Re-Orchestrated by G. Mahler) | Robert Schumann, ORF Vienna Radio Symphony Orchestra, Marin Alsop | B♭ Major | 2 | 6B | 93 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Folios: III. — | Toru Takemitsu, Shin-ichi Fukuda | A Minor | 0 | 8A | 132 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Henning Kraggerud, Bournemouth Symphony Orchestra, Bjarte Engeset | D Major | 2 | 10B | 119 BPM | ||
L'Oiseau de feu (1911 Version): X. Khorovod (Ronde) des princesses | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | F Minor | 0 | 4A | 68 BPM | ||
Dvořák: Symphony No. 2 in B-Flat Major, Op. 4, B. 12: IV. Finale. Allegro con fuoco | Antonín Dvořák, José Serebrier, Bournemouth Symphony Orchestra | B♭ Major | 2 | 6B | 109 BPM | ||
A fabol faragott kiralyfi (The Wooden Prince), Op. 13, BB 74: The Prince and Princess Embrace - Long Kiss - Slow Curtain | Marin Alsop | F Major | 1 | 7B | 90 BPM |