"Il Gedeone (Gideon): Part I: Aria: Quell'aura lusinghiera (Silve)" by Nicola Porpora, Kai Wessel, Ulf Bästlein, Linda Perillo, Henning Voss, Jorg Waschinski, Johannes Chum, Vienna Nova Vocal Ensemble, Vienna Academy Orchestra, Martin Haselböck was released on January 1, 2006. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 30 in the song's album "Porpora: Gedeone (Il)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Il Gedeone (Gideon): Part I: Aria: Quell'aura lusinghiera (Silve)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il Gedeone (Gideon): Part I: Aria: Quell'aura lusinghiera (Silve) by Nicola Porpora, Kai Wessel, Ulf Bästlein, Linda Perillo, Henning Voss, Jorg Waschinski, Johannes Chum, Vienna Nova Vocal Ensemble, Vienna Academy Orchestra, Martin Haselböck having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fago: Confitebor tibi Domine: II. "Memoriam fecit - Escam dedit" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 1 | 1A | 166 BPM | ||
Germanico in Germania / Act 1: "Qual turbine" | Nicola Porpora, Max Emanuel Cenčić, Capella Cracoviensis, Jan Tomasz Adamus | D Major | 5 | 10B | 79 BPM | ||
"Lagrime mie" (Lamento), Op. 7 | Barbara Strozzi, Ensemble Poïésis | E♭ Minor | 0 | 2A | 83 BPM | ||
Platée, RCT 53, Acte II, Scène IV: Récitativ "Essayons du brillant" - Ariette "Aux langueurs d'Apollon" | Jean-Philippe Rameau, Teodor Currentzis | A♭ Major | 3 | 4B | 111 BPM | ||
O quam tu pulchra es (Cantio sacra 1628. R. Ewerhart, Köln) | Philippe Jaroussky, Ensemble Artaserse | A Minor | 0 | 8A | 109 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Mystery (Rosary) Sonata No. 3, "The Nativity": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B♭ Minor | 1 | 3A | 173 BPM |