Giuseppe Verdi, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine made "Rigoletto / Act 1: "Questa o quella" (Ballata) (Duca)" available on January 1, 1998. With Rigoletto / Act 1: "Questa o quella" (Ballata) (Duca) being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine. The song's track number on the album is #3 out of 40 tracks. Rigoletto / Act 1: "Questa o quella" (Ballata) (Duca) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Rigoletto / Act 1: "Questa o quella" (Ballata) (Duca) by Giuseppe Verdi, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto / Act 1: "Questa o quella" (Ballata) (Duca) being at 86 テンポ, the half-time would be 43 テンポ with a double-time of 172 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore, Act I: Una parola | Gaetano Donizetti, Cecilia Bartoli, Luciano Pavarotti, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 4 | 6B | 121 BPM | ||
L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
Carmina Burana / 2. In Taberna: "Olim lacus colueram" | Carl Orff, Philip Creech, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Major | 2 | 10B | 81 BPM | ||
Andrea Chénier / Act 3: "Sì, fui soldato .. Passa la vita mia" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | B♭ Major | 5 | 6B | 159 BPM | ||
William Tell - Italian version / Act 1: "Il mio giuro egli disse" | Gioachino Rossini, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | D Major | 4 | 10B | 108 BPM | ||
La Girometta | Gabriele Sibella, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | G Major | 2 | 9B | 80 BPM | ||
La Bohème / Act 4: "O Mimì, tu più non torni" (Duetto) - "Che ora sia" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Gianni Maffeo, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 77 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Gente indiscreta! (Conte/Fiorello/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | D Minor | 2 | 7A | 72 BPM | ||
Verdi: Aïda, Act 3: Aria, "O patria mia" (Aida) | Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 0 | 7B | 74 BPM | ||
Lucia di Lammermoor, Act II: Tombe degl'avi miei ... Fra poco a me ricovero - Live in Turin, 1967 | Gaetano Donizetti, Luciano Pavarotti, RAI Symphony Orchestra Turin, Francesco Molinari-Pradelli | A Major | 2 | 11B | 86 BPM |