"Concert for Violin, Piano and String Quartet in D Major, Op. 21: III. Grave" by Ernest Chausson, Soovin Kim, Jeremy Denk, The Jupiter String Quartet was released on April 28, 2009. Since Concert for Violin, Piano and String Quartet in D Major, Op. 21: III. Grave is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 8 in Chausson, E.: Concerto for Violin, Piano and String Quartet / Faure, G.: Violin Sonata No. 1 by The Jupiter String Quartet. Concert for Violin, Piano and String Quartet in D Major, Op. 21: III. Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concert for Violin, Piano and String Quartet in D Major, Op. 21: III. Grave by Ernest Chausson, Soovin Kim, Jeremy Denk, The Jupiter String Quartet is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": III. Andante | Antonín Dvořák, Smetana Trio | F Minor | 1 | 4A | 85 BPM | ||
Piano Concerto No.1 in F Sharp Minor, Op.1: 2. Andante | Sergei Rachmaninoff, Vladimir Ashkenazy, Concertgebouworkest, Bernard Haitink | A Major | 0 | 11B | 69 BPM | ||
Suite for Violin and Orchestra: I. Pastorale. Andante quasi Allegretto | Frederick Delius, Tasmin Little, Andrew Davis, BBC Philharmonic Orchestra | E♭ Major | 2 | 5B | 69 BPM | ||
Menuet antique (version for orchestra) | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | F♯ Major | 0 | 2B | 65 BPM | ||
Chanson perpétuelle, Op. 37 (Version for Mezzo-Soprano & Piano Quintet) | Ernest Chausson, Magdalena Kozená, Sir Simon Rattle, Wolfram Brandl, Rahel Rilling, Yulia Deyneka, David Adorján | F♯ Minor | 1 | 11A | 90 BPM | ||
Piano Concerto in E-Flat Major: II. Lento espressivo | John Ireland, Bryden Thomson, London Philharmonic Orchestra, Eric Parkin | B Major | 0 | 1B | 71 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | A♭ Major | 1 | 4B | 122 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Piano Trio in A minor, M. 67: 4. Final (Animé) | Maurice Ravel, Beaux Arts Trio | F♯ Major | 1 | 2B | 91 BPM | ||
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM |