"Piano Trio in A minor, M. 67: 4. Final (Animé)" by Maurice Ravel, Beaux Arts Trio was released on January 1, 2006. With this song being about 5 minutes long, at 5:14, "Piano Trio in A minor, M. 67: 4. Final (Animé)" by Maurice Ravel, Beaux Arts Trio is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Ravel: Piano Trio; Introduction & Allegro; String Quartet". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Piano Trio in A minor, M. 67: 4. Final (Animé) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Trio in A minor, M. 67: 4. Final (Animé) by Maurice Ravel, Beaux Arts Trio having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Moments musicaux, Op.16: No. 6 in C, Maestoso | Sergei Rachmaninoff, Vladimir Ashkenazy | C Major | 2 | 8B | 66 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 50: II. Romanza. Andante con moto | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | A♭ Major | 2 | 4B | 87 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: III. Molto allegro | Camille Saint-Saëns, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | A Minor | 1 | 8A | 73 BPM | ||
Liadov : 3 Preludes Op.57 : No.1 in D flat major | Anatoly Lyadov, Boris Berezovsky | D♭ Major | 0 | 3B | 80 BPM | ||
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: I. Andante - Allegro | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | C Major | 2 | 8B | 137 BPM | ||
Piano Concerto No. 2, BB 101, Sz. 95: I. Allegro | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | C Major | 5 | 8B | 98 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
2 Aquarelles: Gaily, but not quick | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 1 | 10B | 76 BPM | ||
Piano Trio in E flat, H.XV No. 10: 1. Allegro moderato | Joseph Haydn, Beaux Arts Trio | E♭ Major | 1 | 5B | 72 BPM |