"6 Moments musicaux, Op.16: No. 6 in C, Maestoso" by Sergei Rachmaninoff, Vladimir Ashkenazy was released on January 1, 2005. With this song being about 5 minutes long, at 5:07, "6 Moments musicaux, Op.16: No. 6 in C, Maestoso" by Sergei Rachmaninoff, Vladimir Ashkenazy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Rachmaninov: Moments Musicaux". In this album, this song's track order is #6. 6 Moments musicaux, Op.16: No. 6 in C, Maestoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Moments musicaux, Op.16: No. 6 in C, Maestoso by Sergei Rachmaninoff, Vladimir Ashkenazy having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Triple Concerto for Violin, Cello and Piano in C Major, Op. 56: II. Largo (Live) | Ludwig van Beethoven, Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera Italiana, Alexandre Rabinovitch-Barakovsky | D Major | 2 | 10B | 143 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Cristina Ortiz, Royal Philharmonic Orchestra, Vladimir Ashkenazy | C Minor | 0 | 5A | 112 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
48 Esquisses, Op. 63, Book 3: No. 31, Début de quatuor | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
All-night Vigil, Op. 37, "Vespers": Bless the Lord, O my soul | Sergei Rachmaninoff, Eugen Antoni, Raisa Palmu, Erja Wimeri, Finnish National Opera Chorus, Eric-Olof Söderström | C Major | 1 | 8B | 80 BPM | ||
Lieder ohne Worte, Op.38: No. 2. Allegro non troppo In C Minor, MWV U 115 - "Lost Happiness" | Felix Mendelssohn, Daniel Barenboim | C Minor | 1 | 5A | 92 BPM | ||
Piano Sonata in G major, op.78 D.894, "Fantaisie": Piano Sonata in G major, op.78 D.894, "Fantaisie": III. Menuetto. Allegro moderato | Franz Schubert, Paul Lewis | D Major | 0 | 10B | 86 BPM | ||
Shostakovich: Concertino for Two Pianos in A Minor, Op. 94 (Live) | Dmitri Shostakovich, Martha Argerich, Lilya Zilberstein | D Major | 2 | 10B | 137 BPM | ||
Satie: Descriptions automatiques: No. 1, Sur un vaisseau | Erik Satie, Anne Queffélec | B♭ Major | 4 | 6B | 97 BPM | ||
7 Fantasies, Op. 116: No. 1, Capriccio in D Minor | Johannes Brahms, Emanuel Ax | F Major | 3 | 7B | 156 BPM |