"Gli tre cicisbei ridicoli: Tre giorni son che Nina" by Vincenzo Ciampi, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba was released on January 1, 1983. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Luciano Pavarotti, New Philharmonia Orchestra, Piero Gamba's "Mattinata" album is number 2 out of 14. In terms of popularity, Gli tre cicisbei ridicoli: Tre giorni son che Nina is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gli tre cicisbei ridicoli: Tre giorni son che Nina by Vincenzo Ciampi, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Don Pasquale, Act I Quarta Scena: 'Quel guardo il cavaliere' (Norina) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 111 BPM | ||
Werther / Act III: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | G Minor | 1 | 6A | 79 BPM | ||
L'elisir d'amore: Act II: Una furtiva lagrima | Gaetano Donizetti, Lawrence Brownlee, Kaunas City Symphony Orchestra, Constantine Orbelian | G Major | 1 | 9B | 112 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
Les Pêcheurs de perles, WD 13, Act III: Sombres divinités | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Julie Fuchs, Luc Bertin-Hugault | G Major | 1 | 9B | 176 BPM | ||
Danza, Danza Fanciulla | Francesco Durante, Luciano Pavarotti, National Philharmonic Orchestra, Antonio Tonini | B♭ Minor | 4 | 3A | 99 BPM | ||
Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM |