"La Bayadère / Act 1: No.27 Allegro" by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge was released on January 1, 1994. Since La Bayadère / Act 1: No.27 Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ludwig Minkus, English Chamber Orchestra, Richard Bonynge's "Minkus-Lanchbery: La Bayadère" album is number 25 out of 42. La Bayadère / Act 1: No.27 Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadère / Act 1: No.27 Allegro by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayadere, Act I, Scene 1: 1. “Introduction" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 129 BPM | ||
Don Quixote: Act II: Gypsy Dance II | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | D♭ Major | 2 | 3B | 82 BPM | ||
Nocturne No. 15 in F Minor, Op. 55, No. 1 | Frédéric Chopin, Maria João Pires | F Minor | 0 | 4A | 79 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim | G Minor | 4 | 6A | 93 BPM | ||
Come Back | Dario Marianelli, Jean-Yves Thibaudet | B♭ Minor | 2 | 3A | 66 BPM | ||
Matinées musicales, Op. 24: 2. Nocturne | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 77 BPM | ||
La traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 110 BPM | ||
Don Quixote: Act II: The Queen of the Dryads | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E Minor | 1 | 9A | 81 BPM | ||
Piano Concerto No. 3 in D Major, K. 40: II. Andante (After J.G. Eckart, Op. 1 No. 4) | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | A Major | 0 | 11B | 96 BPM |