"Don Quixote: Act II: Gypsy Dance II" by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov was released on January 1, 1995. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov's "Minkus, L.: Don Quixote [Ballet]" album is number 2 out of 56. Don Quixote: Act II: Gypsy Dance II is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Quixote: Act II: Gypsy Dance II by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paquita: Variation 7: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 165 BPM | ||
Soirees musicales, Op. 9: III. Tirolese | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 0 | 11B | 71 BPM | ||
Les Sylphides (orch. R. Douglas): III. Waltz (Op. 70, No. 1) | Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke | D Major | 1 | 10B | 49 BPM | ||
La Bayadere: 33. "Wedding Variation - Gamzatti, Faster Tempo" (Bonus Track) | Evergreen Symphony Orchestra, Kevin Galiè | A♭ Major | 1 | 4B | 83 BPM | ||
Don Quixote: Act I: Espada | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | B♭ Major | 1 | 6B | 183 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
アルミードの館 | Alexander Tcherepnin, Moscow Symphony Orchestra, Henry Shek | E Minor | 1 | 9A | 147 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Masks | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 1 | 7B | 84 BPM | ||
The Gadfly Suite, Op. 97a: VI. Galop | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 168 BPM | ||
La bayadère, Act II: "Variazione Solor" | Silvano Belfiore | D Major | 4 | 10B | 77 BPM |