"Guitar Quintet No. 6 in D Major, G. 448: Guitar Quintet No. 6 in D Major, G. 448: III. Grave assai - IV. Fandango" by Luigi Boccherini, Cuarteto Casals, Carles Trepat was released on August 23, 2011. Guitar Quintet No. 6 in D Major, G. 448: Guitar Quintet No. 6 in D Major, G. 448: III. Grave assai - IV. Fandango appears to be safe for all ages as it is not explicit. The song is number 15 out of 15 in Boccherini: La musica notturna delle strade di Madrid by Luigi Boccherini, Cuarteto Casals. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Guitar Quintet No. 6 in D Major, G. 448: Guitar Quintet No. 6 in D Major, G. 448: III. Grave assai - IV. Fandango is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Guitar Quintet No. 6 in D Major, G. 448: Guitar Quintet No. 6 in D Major, G. 448: III. Grave assai - IV. Fandango by Luigi Boccherini, Cuarteto Casals, Carles Trepat is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto in G Major, Hob. XVIII:4, Arr. for Accordion and Chamber Orchestra: II. Adagio cantabile | Franz Joseph Haydn, Viviane Chassot | C Major | 0 | 8B | 140 BPM | ||
String Quartet in G Minor, Op. 32, No. 5: String Quartet in G Minor, Op. 32, No. 5: IV. Allegro giusto | Luigi Boccherini, Cuarteto Casals | G Minor | 2 | 6A | 129 BPM | ||
Ellens Gesang III, Op. 52, No.6, D 839: Ave Maria In B Flat Major (Arr. For Violin And Piano) | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov | C Major | 1 | 8B | 95 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Guitar Quintet No. 3 In B Flat Major, G. 447 : III. Adagio | Danubius Quartet, Zoltan Tokos, Luigi Boccherini | E♭ Major | 0 | 5B | 123 BPM | ||
Scottish Fantasy Op. 46 (2003 - Remaster): Andante sostenuto | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | A♭ Major | 1 | 4B | 71 BPM | ||
Berceuse, Op. 16 (Arr. by Bergström) | Gabriel Fauré, Jian Wang, Göran Söllscher | D Major | 0 | 10B | 95 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Cantilena from Sonata No.11 in D minor, Op.148 | Josef Rheinberger, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | F Major | 1 | 7B | 90 BPM | ||
Cello Concerto In B Flat: 2. Andante grazioso | Luigi Boccherini, Jian Wang, Camerata Salzburg | B♭ Major | 1 | 6B | 137 BPM |