Alessandro Stradella, Enrico Gatti, Orchestra barocca della civica scuola di musica di Milano, Mara Galassi, Guido Morini's 'Sonata di viole con concertino di due violini e leuto e concerto grosso di viole' had a release date set for January 1, 1998. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. There are a total of 35 in the song's album "Stradella: Cantate per il ss:mo natale". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. In terms of popularity, Sonata di viole con concertino di due violini e leuto e concerto grosso di viole is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata di viole con concertino di due violini e leuto e concerto grosso di viole by Alessandro Stradella, Enrico Gatti, Orchestra barocca della civica scuola di musica di Milano, Mara Galassi, Guido Morini having a テンポ of 106 with a half-time of 53 テンポ and a double-time of 212 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Olimpiade: Consola il genitore - From "L'Olimpiade" | Johann Adolf Hasse, Simone Kermes | C Major | 0 | 8B | 87 BPM | ||
Zaïs, Ouverture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | C Major | 4 | 8B | 137 BPM | ||
Il ritorno d'Ulisse in patria: PROLOGUE, "Mortal cosa son io" (L'Umana Fragilità) | Claudio Monteverdi, René Jacobs, Dominique Visse, Michael Schopper, Lorraine Hunt Lieberson, Martina Bovet, Concerto Vocale | A Minor | 1 | 8A | 120 BPM | ||
Marc'Antonio e Cleopatra: Aria "Morte col fiero aspetto" | Johann Adolf Hasse, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | F♯ Minor | 2 | 11A | 125 BPM | ||
Concerto di Flauti, S.D945: II. Allegro | Alessandro Marcello, Dorothee Oberlinger | C Major | 1 | 8B | 138 BPM | ||
L'olimpiade, RV 725: Mentre dormi, Amor fomenti. Licida, aria | Antonio Vivaldi, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | E Major | 0 | 12B | 88 BPM | ||
Missa Sancti Georgii: VI. Agnus Dei | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | B♭ Major | 2 | 6B | 73 BPM | ||
Scherzi musicali: Damigella tutta bella, SV 235 | Claudio Monteverdi, Magdalena Kozená, David Feldman, Luca Tittoto, La Cetra Barockorchester Basel, Andrea Marcon | B♭ Major | 3 | 6B | 136 BPM | ||
Invitto Erode | Alessandro Stradella, Le Banquet Céleste, Damien Guillon | B Major | 2 | 1B | 126 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM |