Camille Saint-Saëns, Sarah Chang, Philadelphia Orchestra, Wolfgang Sawallisch's 'Introduction and Rondo capriccioso in A minor Op. 28' came out on January 1, 1994. Since Introduction and Rondo capriccioso in A minor Op. 28 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Sarah Chang - Paganini & Saint-Saens Violin Concertos". In this album, this song's track order is #5. In terms of popularity, Introduction and Rondo capriccioso in A minor Op. 28 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Introduction and Rondo capriccioso in A minor Op. 28 by Camille Saint-Saëns, Sarah Chang, Philadelphia Orchestra, Wolfgang Sawallisch having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Sarah Chang, Kurt Masur, Dresdner Philharmonie | E♭ Major | 1 | 5B | 101 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto | Antonio Vivaldi, Itzhak Perlman, London Philharmonic Orchestra | F Minor | 3 | 4A | 145 BPM | ||
Sonata for Violin and Piano in E flat, Op.18: II. Improvisation (Andante cantabile) | Richard Strauss, Itzhak Perlman, Emanuel Ax | A♭ Major | 2 | 4B | 81 BPM | ||
Cello Concerto in A Major, Wq.172: III. Allegro assai | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | D♭ Minor | 2 | 12A | 77 BPM | ||
Dolly Suite, Op. 56: I. Berceuse. Allegretto moderato (Arr. for Cello & Piano) | Gabriel Fauré, Andreas Brantelid, Bengt Forsberg | E Major | 0 | 12B | 95 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese (The Pines of the Villa Borghese) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | F Major | 3 | 7B | 104 BPM | ||
A Downland Suite: III. Minuet: Allegretto grazioso (version for string orchestra) | John Ireland, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 118 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Baiba Skride, Royal Stockholm Philharmonic Orchestra, Sakari Oramo | D Major | 2 | 10B | 88 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM |