"Rondeau: A Blurred Passion With Joyful Tears" by Jean Rondeau, Anna Besson, Gabriel Pidoux, Renaud Guy-Rousseau, Laurent Muller, Alice Bourlier, Maria Mosconi, Barbara Le Liepvre, Lucas Henri, Tanguy de Williencourt was released on February 7, 2017. The duration of Rondeau: A Blurred Passion With Joyful Tears is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Rondeau: A Blurred Passion With Joyful Tears's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Paula". In this album, this song's track order is #10. Rondeau: A Blurred Passion With Joyful Tears is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rondeau: A Blurred Passion With Joyful Tears by Jean Rondeau, Anna Besson, Gabriel Pidoux, Renaud Guy-Rousseau, Laurent Muller, Alice Bourlier, Maria Mosconi, Barbara Le Liepvre, Lucas Henri, Tanguy de Williencourt having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: I. Allemande "La Royale" | Robert de Visée, Jean Rondeau | D♭ Minor | 2 | 12A | 125 BPM | ||
Vivaldi - Concerto in D Major "Grosso Mogul" RV 208: II Recitativo: Grave | Antonio Vivaldi, Viktoria Mullova, Il Giardino Armonico, Giovanni Antonini | B♭ Major | 0 | 6B | 76 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Sonata sesta for violino solo: VI. Allegro [2] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 93 BPM | ||
Forqueray, A: Pèces de viole, Suite No. 5 en ut mineur: VII. Jupiter. Modérément | Antoine Forqueray, Jean Rondeau | G Major | 3 | 9B | 101 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM |