"Allerseelen, Op. 10, No. 8" by Richard Strauss, Jonas Kaufmann, Helmut Deutsch was released on September 4, 2020. The duration of Allerseelen, Op. 10, No. 8 is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Allerseelen, Op. 10, No. 8's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Selige Stunde". In this album, this song's track order is #16. Based on our statistics, Allerseelen, Op. 10, No. 8's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Allerseelen, Op. 10, No. 8 by Richard Strauss, Jonas Kaufmann, Helmut Deutsch having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Études Latines: "Tyndaris" | Reynaldo Hahn, Susan Graham | A♭ Major | 0 | 4B | 106 BPM | ||
Wer hat dies Liedlein erdacht | Gustav Mahler, Felicity Lott, Graham Johnson | C Minor | 3 | 5A | 133 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Non ti scordar di me | Ernesto de Curtis, Jonas Kaufmann, Asher Fisch | A♭ Major | 2 | 4B | 74 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Sechs Lieder, Op. 48: Zur Rosenzeit, Op. 48/5 | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | G Major | 0 | 9B | 73 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | ||
Wesendonck Lieder: Träume | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | A♭ Major | 1 | 4B | 72 BPM |