"4 Symphonic Interludes from "Intermezzo, Op. 72", TrV 246a: No. 1, Reisefieber und Walzerszene. Schnell und heiter (Live)" by Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons was released on November 6, 2020. 4 Symphonic Interludes from "Intermezzo, Op. 72", TrV 246a: No. 1, Reisefieber und Walzerszene. Schnell und heiter (Live) appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "R. Strauss & Brahms: Orchestral Works (Live)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. 4 Symphonic Interludes from "Intermezzo, Op. 72", TrV 246a: No. 1, Reisefieber und Walzerszene. Schnell und heiter (Live) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Symphonic Interludes from "Intermezzo, Op. 72", TrV 246a: No. 1, Reisefieber und Walzerszene. Schnell und heiter (Live) by Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov: Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F Major | 1 | 7B | 142 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Strauss, R, String Sextet from Capriccio, Op. 65 | Richard Strauss, Artemis Quartet, Thomas Kakuska, Valentin Erben | F Major | 1 | 7B | 82 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Pictures At An Exhibition: Cum mortuis in lingua mortua | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 102 BPM | ||
Salome, Op. 54 / Scene 3: "Wo ist er, dessen Sündenbecher jetzt voll ist?" | Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D Major | 3 | 10B | 78 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM |