"Elgar: Serenade for Strings, Op. 20: II. Larghetto" by Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult was released on September 1, 1991. With this song being about 5 minutes long, at 5:20, "Elgar: Serenade for Strings, Op. 20: II. Larghetto" by Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 9 in Elgar: Symphony No. 1 & Serenade for Strings by Edward Elgar, Sir Adrian Boult, London Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Elgar: Serenade for Strings, Op. 20: II. Larghetto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elgar: Serenade for Strings, Op. 20: II. Larghetto by Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | F Minor | 0 | 4A | 73 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Romanze für Viola und Orchester in F-Dur, Op. 85 | Max Bruch, Philharmonie Baden-Baden, Hartmut Rohde, Pavel Baleff | F Major | 1 | 7B | 75 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato (Excerpt) | Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra | A Minor | 1 | 8A | 81 BPM | ||
Turandot / Act 3: "Del primo pianto...Più grande vittoria non voler" | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 85 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM |