Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler's ' "The Nutcracker, Op. 71: No. 12, Divertissement: Mother Gigogne" was released on its scheduled release date, March 7, 1989. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. The Nutcracker, Op. 71: No. 12, Divertissement: Mother Gigogne's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Tchaikovsky: The Nutcracker: Highlights". In this album, this song's track order is #12. Based on our statistics, The Nutcracker, Op. 71: No. 12, Divertissement: Mother Gigogne's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The Nutcracker, Op. 71: No. 12, Divertissement: Mother Gigogne by Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Bethlehem Down | Peter Warlock, Benjamin Grosvenor | C Major | 0 | 8B | 93 BPM | ||
Paquita: Variation 2: Tempo di valse (by Pouni) | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E Major | 1 | 12B | 88 BPM | ||
The Nutcracker Op.71a IV. Russian Dance (Trepak) | Symphony Of The Air | D Major | 2 | 10B | 143 BPM | ||
The Letter Home | Nick Urata | D♭ Major | 2 | 3B | 130 BPM | ||
The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 14b - Danse de la Fée Dragée (Act II) | André Previn, London Symphony Orchestra | E Minor | 0 | 9A | 122 BPM | ||
The Nutcracker, Op. 71: No. 12, Divertissement: Le Café - Arab Dance | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | G Minor | 0 | 6A | 87 BPM | ||
Concerto grosso in D, Op.6, No.1: 1. Largo | Arcangelo Corelli, The English Concert, Trevor Pinnock | A♭ Major | 1 | 4B | 83 BPM | ||
Bitte schon, Polka | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | C Major | 4 | 8B | 167 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 4, Variation II | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | C Major | 1 | 8B | 171 BPM |