Richard Sumarte, Paolo Pandolfo's 'Whoope doe me no harm' came out on January 1, 1998. With Whoope doe me no harm being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Viola Da Gamba Recital: Pandolfo, Paolo - Ortiz, D. / Corkine, W. / Hume, T. / Sumarte, R. / Machy, S. / Marais, M. / Bach, J.S. by Paolo Pandolfo. The song's track number on the album is #7 out of 22 tracks. Based on our statistics, Whoope doe me no harm's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Whoope doe me no harm by Richard Sumarte, Paolo Pandolfo has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Whoope doe me no harm being at 127 テンポ, the half-time would be 64 テンポ with a double-time of 254 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
6 Concerti grossi, Op. 3, No. 3 in E Minor, H. 75: III. Adagio | Francesco Geminiani, Concerto Italiano, Rinaldo Alessandrini | A♭ Minor | 1 | 1A | 60 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 1, Le charme | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
A Sonata of Scots Tunes: IV. Cromlit's Lilt (Largo) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | B Major | 2 | 1B | 143 BPM | ||
Aria et variationes in D Major | Gottfried Finger, Petr Wagner, Ensemble Tourbillon | A♭ Major | 0 | 4B | 119 BPM | ||
Cello Sonata in E Minor, RV 40: IV. Allegro | Antonio Vivaldi, Robert King, David Watkin | A♭ Minor | 1 | 1A | 114 BPM | ||
Sonata in D Major, Op. 6, No. 7: III. Adagio | Tomaso Albinoni, Ensemble Barocco Sans Souci | D♭ Major | 1 | 3B | 115 BPM | ||
The Division Violin: Prelude | Thomas Baltzar, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 153 BPM |