"The Little Match Girl Passion (Version for 4 Voices, Percussion & Choir): Have mercy, my God" by David Lang, Michael Blanchard, Los Angeles Master Chorale, Grant Gershon was released on June 24, 2016. With this song being about 5 minutes long, at 4:30, "The Little Match Girl Passion (Version for 4 Voices, Percussion & Choir): Have mercy, my God" by David Lang, Michael Blanchard, Los Angeles Master Chorale, Grant Gershon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 20 in David Lang: The National Anthems & The Little Match Girl Passion by David Lang, Los Angeles Master Chorale, Grant Gershon. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Little Match Girl Passion (Version for 4 Voices, Percussion & Choir): Have mercy, my God's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Little Match Girl Passion (Version for 4 Voices, Percussion & Choir): Have mercy, my God by David Lang, Michael Blanchard, Los Angeles Master Chorale, Grant Gershon is Allegro (fast, quick, and bright), since this song has a tempo of 137 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Time Drinks Three Shots (From "You Us We All") | Shara Worden | D Minor | 3 | 7A | 68 BPM | ||
Partita for 8 Singers: No. 1. Allemande | Caroline Shaw, Roomful of Teeth, Brad Wells | F♯ Minor | 3 | 11A | 138 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
Prospero's Magic | Michael Nyman Band | B♭ Minor | 2 | 3A | 144 BPM | ||
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Murder Ballades: Tears For Sister Polly | Bryce Dessner, eighth blackbird | C Minor | 6 | 5A | 164 BPM | ||
Immortal Bach | Knut Nystedt, Schola Cantorum, Kåre Hanken | E♭ Major | 0 | 5B | 127 BPM | ||
Suite from "The Hours" - Movement III | Maki Namekawa, Cello Octet Amsterdam | G Minor | 1 | 6A | 135 BPM | ||
5e livre de viole: Prélude en harpègement: rondement | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | A♭ Minor | 0 | 1A | 98 BPM | ||
Scene 7 | Michael Galasso | F Major | 2 | 7B | 126 BPM |