Marc-Antoine Charpentier, William Christie, Les Arts Florissants's 'Charpentier: Messe de minuit pour Noël, H. 9: "Kyrie eleison"' came out on August 1, 2001. With Charpentier: Messe de minuit pour Noël, H. 9: "Kyrie eleison" being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 27 in Charpentier : In Nativitatem Domini Canticum; Messe de Minuit pour Noel; Noel sur les instruments by Marc-Antoine Charpentier, William Christie. Charpentier: Messe de minuit pour Noël, H. 9: "Kyrie eleison" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Charpentier: Messe de minuit pour Noël, H. 9: "Kyrie eleison" by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria in D Major, RV 589: II. Et in terra pax - Remastered 2023 | Antonio Vivaldi, Atlanta Symphony Orchestra, Robert Shaw | B Minor | 0 | 10A | 93 BPM | ||
Wie schön leuchtet der Morgenstern | Philipp Nicolai, Johann Hermann Schein, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel | E Major | 1 | 12B | 135 BPM | ||
Christmas Oratorio: IV. Hymn: Thou whose almighty word | Bob Chilcott, Choir of Merton College, Oxford, Oxford Contemporary Sinfonia, Benjamin Nicholas | B♭ Major | 3 | 6B | 105 BPM | ||
Ev'ry Valley Shall Be Exalted - Tenor | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | E Major | 1 | 12B | 107 BPM | ||
Tomorrow Shall be my Dancing Day (arr. D. Willcocks) | Sir David Willcocks, Traditional, Elora Festival Singers, Noel Edison | B♭ Major | 1 | 6B | 129 BPM | ||
Quatre Motets, Op.10: Ubi caritas et amor | Maurice Duruflé, Choir of New College, Oxford, Edward Higginbottom | E♭ Major | 0 | 5B | 91 BPM | ||
Ave Maria | Robert Parsons, Choir of St. John's College, Cambridge, Christopher Robinson | A♭ Major | 1 | 4B | 72 BPM | ||
A Ceremony of Carols, Op. 28: III. There Is No Rose | Benjamin Britten, The Choir Of Trinity College, Cambridge | B♭ Major | 0 | 6B | 97 BPM | ||
Concerto Grosso In G Minor, Op.8, No.6 "Christmas Concerto": 3. Vivace | Giuseppe Torelli, Thomas Brandis, Emil Maas, Ottomar Borwitzky, Wolfgang Meyer, Waldemar Döling, Berliner Philharmoniker, Herbert von Karajan | C Minor | 3 | 5A | 89 BPM | ||
A spotless Rose | Herbert Howells, Michael McCarthy, The Monteverdi Choir, John Eliot Gardiner | A Major | 0 | 11B | 65 BPM |