"Quatre Motets, Op.10: Ubi caritas et amor" by Maurice Duruflé, Choir of New College, Oxford, Edward Higginbottom was released on January 1, 2012. The duration of Quatre Motets, Op.10: Ubi caritas et amor is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Quatre Motets, Op.10: Ubi caritas et amor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Choir of New College, Oxford's "Illumina - Music Of Light" album is number 17 out of 17. In terms of popularity, Quatre Motets, Op.10: Ubi caritas et amor is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatre Motets, Op.10: Ubi caritas et amor by Maurice Duruflé, Choir of New College, Oxford, Edward Higginbottom to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stella Natalis: IV. Only Heavenly Music (In Memoriam Christine Brown) | Karl Jenkins, The Adiemus Singers, Marylebone Camerata, Tenebrae, Kate Royal, Alison Balsom, Jody K. Jenkins, Zands Duggan | A Major | 2 | 11B | 81 BPM | ||
L'Enfance du Christ, Op. 25, Deuxième Partie, La Fuite en Egypte: II. L'Adieu des Bergers | Hector Berlioz, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Joseph Moor, La Chapelle Royale | F♯ Major | 1 | 2B | 106 BPM | ||
What cheer? | William Walton, The Cambridge Singers, John Rutter | D Major | 1 | 10B | 166 BPM | ||
Es ist ein Ros’ entsprungen | Michael Praetorius, The King's Singers | B♭ Minor | 0 | 3A | 87 BPM | ||
Lully, Lulla Lullay | Philip Stopford, The Ecclesium Choir | F Minor | 1 | 4A | 89 BPM | ||
Messiah: Part 1, Symphony | The Sixteen | E♭ Minor | 1 | 2A | 104 BPM | ||
Let My Prayer Come Up | William Henry Harris, Martin Neary, The Choir Of Westminster Abbey, Martin Baker | C Minor | 0 | 5A | 81 BPM | ||
I will lift up mine eyes | John Rutter, The Cambridge Singers, City of London Sinfonia | B♭ Major | 1 | 6B | 126 BPM | ||
Sir Christèmas | William Mathias, Andrew Nethsingha, Joseph Wicks, Choir of St. John's College, Cambridge | G Major | 3 | 9B | 0 BPM | ||
O Maria vernans rosa | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | C Major | 1 | 8B | 144 BPM |