"The Sleeping Beauty, Op.66, TH.13 / Act 3: 24. Pas de caractère (Puss in Boots)" by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti was released on January 1, 1981. With The Sleeping Beauty, Op.66, TH.13 / Act 3: 24. Pas de caractère (Puss in Boots) being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 42 in the song's album "Tchaikovsky: The Sleeping Beauty". In this album, this song's track order is #13. The Sleeping Beauty, Op.66, TH.13 / Act 3: 24. Pas de caractère (Puss in Boots) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op.66, TH.13 / Act 3: 24. Pas de caractère (Puss in Boots) by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayadere: Variation 1: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 130 BPM | ||
Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Minor | 2 | 9A | 87 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Prologue: 2. Scène dansante (Entrance of Fairies) | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | C Major | 1 | 8B | 138 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
Piano Concerto No.1 for piano, trumpet & strings, Op.35: 2. Lento | Dmitri Shostakovich, Ronald Brautigam, Peter Masseurs, Concertgebouworkest, Riccardo Chailly | C Major | 0 | 8B | 69 BPM | ||
Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | C Major | 4 | 8B | 91 BPM | ||
Giselle: Act I: Allegro un peu loure | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 169 BPM | ||
Le carnaval des animaux, R. 125: 14. Final | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 100 BPM | ||
Raymonda, Act I: Valse fantastique | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 1 | 7B | 180 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 3: Scene and Arioso. "Itak, poidyom, tebya predstavlyu ya" - "Uzhel ta samaya Tatyana" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Alexander Anisimov, Orchestre de Paris, Semyon Bychkov | G Major | 2 | 9B | 67 BPM |