"Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria" by Elena Kats-Chernin, Daniel Hope, Jacques Ammon was released on January 1, 2013. The duration of Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria is about 3 minutes long, at 3:08. Based on our data, "Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Spheres - Einaudi, Glass, Nyman, Pärt, Richter". In this album, this song's track order is #7. The popularity of Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria by Elena Kats-Chernin, Daniel Hope, Jacques Ammon having a テンポ of 164 with a half-time of 82 テンポ and a double-time of 328 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 37b: June (Arr. by Daniel Hope and Jacques Ammon) | Pyotr Ilyich Tchaikovsky, Daniel Hope, Jacques Ammon | G Minor | 0 | 6A | 75 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Adagio For Strings, Op.11 | Samuel Barber, London Symphony Orchestra, Kristjan Järvi | B♭ Minor | 1 | 3A | 77 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Fünf Lieder für eine Stimme, Op. 49: Guten Abend, gut Nacht (Arr. by Daniel Hope) | Johannes Brahms, Daniel Hope | G Major | 0 | 9B | 77 BPM | ||
Phonometrician | Elena Kats-Chernin, Tamara Anna Cislowska | E Minor | 0 | 9A | 71 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
5 German Dances with 7 Trios and Coda, D. 89: No. 1, German Dance in C Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM |