"5 German Dances with 7 Trios and Coda, D. 89: No. 1, German Dance in C Major" by Franz Schubert, Daniel Hope, Zürcher Kammerorchester was released on February 2, 2024. The duration of 5 German Dances with 7 Trios and Coda, D. 89: No. 1, German Dance in C Major is about 3 minutes long, at 3:00. Based on our data, "5 German Dances with 7 Trios and Coda, D. 89: No. 1, German Dance in C Major" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 42 in Dance! by Daniel Hope, Zürcher Kammerorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, 5 German Dances with 7 Trios and Coda, D. 89: No. 1, German Dance in C Major is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 German Dances with 7 Trios and Coda, D. 89: No. 1, German Dance in C Major by Franz Schubert, Daniel Hope, Zürcher Kammerorchester is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet in D Minor: III. Adagietto | Ján Levoslav Bella, Frantisek Magyar, Moyzesovo kvarteto | F Minor | 1 | 4A | 127 BPM | ||
Symphony in F Minor, Bryan f1: I. Allegro moderato | Johann Baptist Vanhal, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 117 BPM | ||
Symphony No. 5 in F Major, Op. 76, B. 54: III. Allegro scherzando | Antonín Dvořák, Karlovy Vary Symphony Orchestra, Radomil Eliška | B♭ Major | 1 | 6B | 123 BPM | ||
Symphony No. 1 in E-Flat Major, Op. 2: II. Marche-Scherzo. Allegretto scherzando | Camille Saint-Saëns, Thierry Fischer, Utah Symphony Orchestra | D Major | 0 | 10B | 116 BPM | ||
48 Esquisses, Op. 63, Book 4: No. 37, Scherzettino | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley | F Major | 0 | 7B | 179 BPM | ||
Lieder ohne Worte VIII, Op. 102: V. Allegro vivace, MWV U194 "The Joyous Peasant" | Felix Mendelssohn, Howard Shelley | A Major | 1 | 11B | 138 BPM | ||
La vestale: Ouverture | Gaspare Spontini, Les Talens Lyriques, Christophe Rousset | D Major | 1 | 10B | 107 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Maria João Pires | F Major | 0 | 7B | 73 BPM | ||
Das Orgel-Büchlein (Excerpts Arr. J. & T. Steenbrink for Chamber Ensemble): No. 19, Herr Gott, nun schleuß den Himmel auf, BWV 617 | Johann Sebastian Bach, Holland Baroque | F Major | 1 | 7B | 119 BPM |