Rudolf Schock made "Da geh ich zu Maxim" available on January 6, 2006. The duration of Da geh ich zu Maxim is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Da geh ich zu Maxim's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 22 in Fernsehwunschkonzert mit by Rudolf Schock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Da geh ich zu Maxim is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Da geh ich zu Maxim by Rudolf Schock is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiener Blut (operetta): Stoß an! | Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester | E♭ Major | 4 | 5B | 175 BPM | ||
Mamma | Leo Nucci, Salotto Ottocento Ensemble | F Minor | 3 | 4A | 77 BPM | ||
Paganini: "Gern hab ich die Frau'n geküsst" | Franz Lehár, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | E♭ Major | 1 | 5B | 77 BPM | ||
Dein ist Mein Ganzes Herz | Richard Tauber | D♭ Major | 4 | 3B | 134 BPM | ||
Granada (Spanische Fantasie) | Rudolf Schock | B Major | 2 | 1B | 60 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Mein Ahnherr war der Luxemburg | Rudolf Schock | D Major | 4 | 10B | 71 BPM | ||
Zar & Zimmermann: Greifet an und rührt die Hände | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | F Major | 4 | 7B | 129 BPM | ||
Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | ||
Annchen von Tharau | Friedrich Silcher, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann | B Major | 1 | 1B | 96 BPM |