"Symphony, Op. 21: I. Ruhig schreitend" by Anton Webern, Berliner Philharmoniker, Pierre Boulez was released on January 1, 1996. Since Symphony, Op. 21: I. Ruhig schreitend is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Webern: Symphony Op.21 by Anton Webern, Christiane Oelze, Gerald Finley, Berliner Philharmoniker, Pierre Boulez, BBC Singers. The song's track number on the album is #9 out of 21 tracks. Based on our data, Germany was the country where this track was produced or recorded. Symphony, Op. 21: I. Ruhig schreitend is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony, Op. 21: I. Ruhig schreitend by Anton Webern, Berliner Philharmoniker, Pierre Boulez has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Symphony, Op. 21: I. Ruhig schreitend being at 79 テンポ, the half-time would be 40 テンポ with a double-time of 158 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 'Kreutzer Sonata': String Quartet No. 1 'Kreutzer Sonata': III. Con moto. Vivo. Andante | Leoš Janáček, Jerusalem Quartet | F♯ Major | 2 | 2B | 129 BPM | ||
The Seasons: 9. Finale (Prelude I) | John Cage, Herbert Henck | E Minor | 0 | 9A | 0 BPM | ||
Sonata in B Minor, K.87 | Domenico Scarlatti, Vladimir Horowitz | B Minor | 0 | 10A | 76 BPM | ||
Semi-Simple Variations | Milton Babbitt, Robert Taub | B Major | 0 | 1B | 136 BPM | ||
Tout un monde lointain…: II. Regard | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
String Quartet in F Major, M. 35: I. Allegro moderato | Maurice Ravel, Juilliard String Quartet | F Major | 2 | 7B | 88 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 72 BPM | ||
Music of Changes: I | John Cage, David Tudor | B♭ Minor | 0 | 3A | 115 BPM | ||
String Quartet No. 4, Op. 37: I. Allegro molto, energico | Arnold Schoenberg, Gringolts Quartet | C Major | 1 | 8B | 134 BPM | ||
The Seasons: 6. Summer | John Cage, Herbert Henck | D Minor | 0 | 7A | 106 BPM |