"Un ballo in maschera, Act I, Scene 1: La rivedrà nell'estasi (Riccardo/Oscar/Coro/Samuel/Tom)" by Giuseppe Verdi, Plácido Domingo, Reri Grist, Gwynne Howell, Richard van Allan, Chorus of the Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti was released on 1975. The duration of Un ballo in maschera, Act I, Scene 1: La rivedrà nell'estasi (Riccardo/Oscar/Coro/Samuel/Tom) is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Un ballo in maschera, Act I, Scene 1: La rivedrà nell'estasi (Riccardo/Oscar/Coro/Samuel/Tom)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Un Ballo in Maschera by Giuseppe Verdi, Plácido Domingo, Riccardo Muti. The song's track number on the album is #4 out of 51 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Un ballo in maschera, Act I, Scene 1: La rivedrà nell'estasi (Riccardo/Oscar/Coro/Samuel/Tom) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Un ballo in maschera, Act I, Scene 1: La rivedrà nell'estasi (Riccardo/Oscar/Coro/Samuel/Tom) by Giuseppe Verdi, Plácido Domingo, Reri Grist, Gwynne Howell, Richard van Allan, Chorus of the Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Un ballo in maschera, Act I, Scene 1: La rivedrà nell'estasi (Riccardo/Oscar/Coro/Samuel/Tom) being at 93 テンポ, the half-time would be 46 テンポ with a double-time of 186 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Verdi: La traviata, Act 1: Brindisi. "Libiamo ne'lieti calici" (Alfredo, Violetta, Coro) | Giuseppe Verdi, Maria Callas, Coro Cetra, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | B♭ Major | 2 | 6B | 195 BPM | ||
La Traviata / Act 2: "Ah, vive sol quel core" | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Paul Winter, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | F Minor | 1 | 4A | 99 BPM | ||
Andrea Chenier (1997 Digital Remaster): La mamma morta | Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 1 | 10B | 79 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM |