"Suite No. 3 in D, BWV 1068: 2. Air" by Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1984. Suite No. 3 in D, BWV 1068: 2. Air is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The song is number 5 out of 10 in Albinoni: Adagio in G minor / Pachelbel: Canon by Berliner Philharmoniker, Herbert von Karajan, Antonio Vivaldi, Christoph Willibald Gluck, Johann Pachelbel, Johann Sebastian Bach, Wolfgang Amadeus Mozart. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Suite No. 3 in D, BWV 1068: 2. Air is fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No. 3 in D, BWV 1068: 2. Air by Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Roderick Shaw, Johann Sebastian Bach | A Minor | 4 | 8A | 109 BPM | ||
Brandenburg Concerto No. 5 in D Major, BWV 1050: 2. Affetuoso | Johann Sebastian Bach, Henryk Szeryng, Jean-Pierre Rampal, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | F♯ Major | 2 | 2B | 94 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Matthäus-Passion, BWV 244, Pt. 1: No. 5, Recitative. "Du lieber Heiland du" (Alto) | Johann Sebastian Bach, Annelies Burmeister, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | E Minor | 1 | 9A | 82 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Violin Concerto No. 10 in G Major: Largo | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 186 BPM | ||
Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM |