George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's 'Dixit Dominus, HWV 232: Tu es sacerdos in aeternum' came out on November 25, 2022. With Dixit Dominus, HWV 232: Tu es sacerdos in aeternum being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Sir Neville Marriner's "Handel - Messiah and other works" album is number 86 out of 105. On top of that, United Kingdom appears to be the country where this track was created. Dixit Dominus, HWV 232: Tu es sacerdos in aeternum is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Dixit Dominus, HWV 232: Tu es sacerdos in aeternum by George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ode for St. Cecilia's Day, HWV 76: Air and chorus: The trumpet's loud clangour | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 2. Arie. Quia respexit humilitatem (S) | Carl Philipp Emanuel Bach, Elizabeth Watts, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | B♭ Minor | 0 | 3A | 89 BPM | ||
St. John Passion, BWV 245: Part I: Recitative: Auf dass das Wort erfullet wurde (Evangelist, Jesus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 0 | 11A | 80 BPM | ||
Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni | Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester | B Minor | 0 | 10A | 70 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 8. Chor. Gloria Patri et Filio | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 139 BPM | ||
Alcina, HWV 34 / Act 1: Questo è il cielo de' contenti | George Frideric Handel, Il Complesso Barocco, Alan Curtis | B♭ Major | 3 | 6B | 148 BPM | ||
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
Vespro della Beata Vergine, SV 206: IX. Audi coelum a 8 - Live | Claudio Monteverdi, Nigel Robson, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, Christopher Wilson, Jakob Lindberg, The Monteverdi Choir | D Minor | 0 | 7A | 84 BPM | ||
Music for the Royal Fireworks, HWV 351: III. La Paix. Largo alla Siciliana | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 1 | 10B | 60 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | G Major | 1 | 9B | 79 BPM |