"Vespro della Beata Vergine, SV 206: IX. Audi coelum a 8 - Live" by Claudio Monteverdi, Nigel Robson, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, Christopher Wilson, Jakob Lindberg, The Monteverdi Choir was released on December 8, 1986. Since Vespro della Beata Vergine, SV 206: IX. Audi coelum a 8 - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner's "Monteverdi: Vespers of the Blessed Virgin" album is number 9 out of 14. Vespro della Beata Vergine, SV 206: IX. Audi coelum a 8 - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespro della Beata Vergine, SV 206: IX. Audi coelum a 8 - Live by Claudio Monteverdi, Nigel Robson, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, Christopher Wilson, Jakob Lindberg, The Monteverdi Choir to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Una musiqua | Antoine Boësset, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | G Major | 2 | 9B | 138 BPM | ||
Madrigali Erotici E Spirituali: Piagn'E Sospira | Consort Of Musicke, Joseph Cornwell, Gabriele Micheli, Mary Nichols, Andrew King, Simon Grant, Claudio Monteverdi, Evelyn Tubb, Emma Kirkby | A Minor | 1 | 8A | 69 BPM | ||
Magnificat in D Major, BWV 243: II. Et exultavit spiritus meus | Johann Sebastian Bach, La Chapelle Royale, Philippe Herreweghe, Agnes Mellon | E♭ Major | 3 | 5B | 101 BPM | ||
Responsories for Maundy Thursday Nocturn 2: I. Amicus meus osculi me tradidit signa | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 1 | 6A | 79 BPM | ||
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Prima die Lectio prima: III. Quomodo sedet sola | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 1 | 11A | 89 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM |