Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile, con alcuna licenza

Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia
Tchaikovsky: Symphony Nos. 4-6
13:29 2006年11月6日
テンポ
73
キー
B Minor
キャメロットミュージックキー
10A

リンクを埋め込む

共有

Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile, con alcuna licenza - Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia 情報

音響性
93%
ダンサビリティ
6%
エネルギー
8%
手段性
83%
活気
35%
ラウドネス
67%
話し言葉
4%
価数
4%
人気
ラウドネス
-19.869 dB

まとめ

"Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile, con alcuna licenza" by Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on November 6, 2006. Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile, con alcuna licenza appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Tchaikovsky: Symphony Nos. 4-6". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile, con alcuna licenza is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile, con alcuna licenza テンポ

With Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile, con alcuna licenza by Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile, con alcuna licenza キー

This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Album for the Young, Op. 39: No. 3. Mamma (Maman) by Pyotr Ilyich Tchaikovsky, Carol RosenbergerAlbum for the Young, Op. 39: No. 3. Mamma (Maman)Pyotr Ilyich Tchaikovsky, Carol RosenbergerG Major09B87 BPM
Sinfonia for Strings in G major, RV 149: I. Allegro molto by Karoly BotvaySinfonia for Strings in G major, RV 149: I. Allegro moltoKaroly BotvayD Major210B125 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingB♭ Major26B147 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): I. PréludeGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezG Minor26A114 BPM
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered by Alexander Scriabin, Vladimir HorowitzEtude in D-Sharp Minor, Op. 8, No. 12: Patetico - RemasteredAlexander Scriabin, Vladimir HorowitzD♭ Minor312A72 BPM
Elégie in C Minor, Op. 24 (Arr. Parkin) by Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert MaxElégie in C Minor, Op. 24 (Arr. Parkin)Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert MaxA♭ Major04B88 BPM
Carmen Suite No. 1: 1. Prélude by Georges Bizet, Orchestre de Paris, Semyon BychkovCarmen Suite No. 1: 1. PréludeGeorges Bizet, Orchestre de Paris, Semyon BychkovA Minor18A96 BPM
The Sleeping Beauty, Op. 66, TH 13: Valse by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew MogreliaThe Sleeping Beauty, Op. 66, TH 13: ValsePyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew MogreliaA Major111B105 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo by Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraCello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppoCamille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraF Major27B131 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship by Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoShéhérazade, Op. 35: I. The Sea and Sinbad's ShipNikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoE Major112B136 BPM
ISRC
GBAYC0601973
レコードレーベル
L-M Records/RCA Records