"Exsultate, jubilate, K. 165: 4. Alleluia" by Wolfgang Amadeus Mozart, Barbara Bonney, The English Concert, Trevor Pinnock was released on January 1, 1994. The duration of Exsultate, jubilate, K. 165: 4. Alleluia is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Exsultate, jubilate, K. 165: 4. Alleluia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert, Trevor Pinnock, The English Concert Choir's "Mozart: Coronation Mass ; Exsultate, jubilate; Vesperae Solennes" album is number 10 out of 16. Based on our statistics, Exsultate, jubilate, K. 165: 4. Alleluia's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Exsultate, jubilate, K. 165: 4. Alleluia by Wolfgang Amadeus Mozart, Barbara Bonney, The English Concert, Trevor Pinnock to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Jahreszeiten - Hob. XXI:3 / Der Frühling: No. 4 Arie: "Schon eilet..." | Joseph Haydn, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | F Major | 2 | 7B | 158 BPM | ||
Magnificat in D Major, BWV 243: I. Chorus: "Magnificat" | Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | A Major | 5 | 11B | 91 BPM | ||
Mass No. 2 in G Major, D. 167: I. Kyrie | Franz Schubert, Barbara Bonney, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | F Major | 1 | 7B | 116 BPM | ||
Vesperae solennes de confessore in C Major, K. 339: 5. Laudate Dominum omnes gentes (Ps. 116/117) | Wolfgang Amadeus Mozart, Barbara Bonney, The English Concert, Trevor Pinnock, The English Concert Choir | A Minor | 1 | 8A | 74 BPM | ||
Song of the Birds (Arr. Casals) | Anonymous, Sheku Kanneh-Mason, CBSO Cellos | A Minor | 1 | 8A | 80 BPM | ||
Deck The Hall With Boughs Of Holly - ARV_11 | André Rieu | F Major | 4 | 7B | 84 BPM | ||
Swan Lake (Suite), Op. 20a, TH. 219: V. Danse Hongroise (Czardas) | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich | A Minor | 2 | 8A | 162 BPM | ||
We Three Kings of Orient Are | Leontyne Price | G Major | 2 | 9B | 79 BPM | ||
Nativity Carol | John Rutter, City of London Sinfonia, The Cambridge Singers | D Major | 0 | 10B | 84 BPM | ||
Sylvia, Act III: Pizzicati | Léo Delibes, Philharmonia Cassovia, Andrew Mogrelia | E Major | 1 | 12B | 167 BPM |