Tabea Debus, Alex McCartney, after Antonio Bertali, Tarquinio Merula, Claudio Monteverdi, Jonathan Rees made "Ciaconna - After Bertali, Merula & Monteverdi" available on August 28, 2020. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Ohrwurm". In this album, this song's track order is #1. In terms of popularity, Ciaconna - After Bertali, Merula & Monteverdi is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ciaconna - After Bertali, Merula & Monteverdi by Tabea Debus, Alex McCartney, after Antonio Bertali, Tarquinio Merula, Claudio Monteverdi, Jonathan Rees having a テンポ of 109 with a half-time of 54 テンポ and a double-time of 218 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Venus and Adonis, Prologue: Cupid's Entry | John Blow, Richard Egarr, Pamela Thorby, Tabea Debus, Bojan Čičić, Stephen Pedder, Julia Kuhn, Mark Levy, William Carter | B♭ Major | 2 | 6B | 0 BPM | ||
12 Fantaisies, No. 10 in F-Sharp Minor, TWV 40:11: IV. Quavers | Georg Philipp Telemann, Tabea Debus | A Major | 0 | 11B | 68 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Sonata in C Major, Op. 5, No. 10 (arr. W. Babell and M. Blavet): IV. Giga: Allegro (arr. W. Babell) | William Babell, Michel Blavet, Arcangelo Corelli, Stefan Temmingh, Olga Watts | B Major | 2 | 1B | 126 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Variationen uber das Thema der Sarabande aus Corelli's Sonate, Op. 5, No. 7 | Durham Ground, Tabea Debus, Lea Rahel Bader, Kohei Ota, Jan Croonenbroeck | A Major | 1 | 11B | 71 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata III a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | A♭ Minor | 1 | 1A | 114 BPM | ||
Symphony in F Major: II. Andante - III. Presto | Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700 | E Major | 1 | 12B | 182 BPM | ||
Symphony No. 21 in A Major, Hob. I:21: I. Adagio | Joseph Haydn, Johannes Klumpp, Heidelberg Symphony Orchestra | B♭ Major | 4 | 6B | 142 BPM | ||
Concerto for Sopranino Recorder, Strings & Continuo in C Major, RV 433: III. Allegro molto | Antonio Vivaldi, La Serenissima, Adrian Chandler, Tabea Debus | D Major | 2 | 10B | 124 BPM |