Sergei Rachmaninoff, Rachmaninoff International Orchestra, Mikhail Pletnev, Kent Nagano's 'Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 7. Meno mosso, a tempo moderato - Live' had a release date set for April 26, 2024. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Rachmaninoff Live – The Piano Concertos & The Paganini Rhapsody". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Germany. In terms of popularity, Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 7. Meno mosso, a tempo moderato - Live is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43: Var. 7. Meno mosso, a tempo moderato - Live by Sergei Rachmaninoff, Rachmaninoff International Orchestra, Mikhail Pletnev, Kent Nagano having a テンポ of 104 with a half-time of 52 テンポ and a double-time of 208 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pastorale, Menuet triste et Nocturne: Pastorale | George Enescu, Ralph Evans, Gisele Witkowski, Fabio Witkowski | A Major | 1 | 11B | 153 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Hélène Grimaud, Camerata Salzburg, Giovanni Guzzo | A Major | 2 | 11B | 135 BPM | ||
I. Augenblick | Valentin Silvestrov, Alexei Lubimov | E Minor | 0 | 9A | 74 BPM | ||
Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | ||
2 Fantasy Pieces for Oboe & Piano, Op. 2, FS 8: No. 1, Romance (Arr. for Violin & Orchestra by Anonymous) | Carl Nielsen, Bohdan Luts, Odense Symphony Orchestra, Anna Skryleva | D Minor | 1 | 7A | 107 BPM | ||
Ballade, Op. 24 (Variations on a Norwegian Melody): Var. 5. Più lento | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Theme and Variations, Op. 72: Var. 15. Finale. Allegro moderato | Alexander Glazunov, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei | Robert Schumann, Marianna Shirinyan, Torleif Thedéen | G Minor | 4 | 6A | 148 BPM | ||
On the Overgrown Path / Book 1: No. 5, They Chattered Like Swallows | Leoš Janáček, Olena Kushpler | D♭ Minor | 0 | 12A | 66 BPM | ||
25の練習曲作品100 第21曲 天使の音楽 | Franz Burgmüller, Rintaro Akamatsu | D Major | 1 | 10B | 139 BPM |