John Harle, Nicole Tibbels, Catherine Bott, Sarah Leonard, Silencium Ensemble, Academy of St. Martin in the Fields's 'Silencium - Music of Inner Peace: 10. Vices and Virtues' came out on October 20, 1997. Silencium - Music of Inner Peace: 10. Vices and Virtues is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in John Harle, Silencium Ensemble's "Harle: Silencium - Music Of Inner Peace" album is number 10 out of 12. Based on our statistics, Silencium - Music of Inner Peace: 10. Vices and Virtues's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Silencium - Music of Inner Peace: 10. Vices and Virtues by John Harle, Nicole Tibbels, Catherine Bott, Sarah Leonard, Silencium Ensemble, Academy of St. Martin in the Fields to be Vivace (lively and fast) because the track has a tempo of 158 テンポ, a half-time of 79テンポ, and a double-time of 316 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Emerald and Stone (Arr. Knoth) | Brian Eno, Jon Hopkins, Leo Abrahams, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer, Christian Badzura | B Major | 3 | 1B | 82 BPM | ||
Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM | ||
Light in Darkness | Evelyn Glennie | G Major | 0 | 9B | 145 BPM | ||
Suite In Old Style: Prelude: Fanfare From The Balconies - I. Through Mirrored Corridors | Dobrinka Tabakova, Lithuanian Chamber Orchestra, Vaiva Eidukaitytė-Storastienė, Maxim Rysanov | G Minor | 3 | 6A | 76 BPM | ||
Evening of Roses (Arr. Hodge for Cello, Clarinet & Ensemble) | Josef Hadar, Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos | B♭ Major | 2 | 6B | 103 BPM | ||
The Armed Man - A Mass For Peace: I. The Armed Man | Karl Jenkins, Mike Brewer, London Philharmonic Orchestra | G Major | 3 | 9B | 65 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air ("On a G String") [Arr. M. Beiser for Cello & Electronics] | Johann Sebastian Bach, Maya Beiser | D Major | 4 | 10B | 90 BPM | ||
Three Sisters: Hymn | Nigel Kennedy, Oxford Philharmonic Orchestra | E Major | 0 | 12B | 108 BPM | ||
Fantasia for soprano saxophone and chamber orchestra: II. Lent | Heitor Villa-Lobos, John Harle, Sir Neville Marriner, Academy of St. Martin in the Fields | D♭ Minor | 1 | 12A | 133 BPM | ||
Shadow 4 | Max Richter | C Major | 1 | 8B | 143 BPM |