Dobrinka Tabakova, Lithuanian Chamber Orchestra, Vaiva Eidukaitytė-Storastienė, Maxim Rysanov's 'Suite In Old Style: Prelude: Fanfare From The Balconies - I. Through Mirrored Corridors' came out on May 17, 2013. Suite In Old Style: Prelude: Fanfare From The Balconies - I. Through Mirrored Corridors is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The song is number 6 out of 9 in Dobrinka Tabakova: String Paths by Dobrinka Tabakova, Lithuanian Chamber Orchestra, Maxim Rysanov. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Suite In Old Style: Prelude: Fanfare From The Balconies - I. Through Mirrored Corridors is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite In Old Style: Prelude: Fanfare From The Balconies - I. Through Mirrored Corridors by Dobrinka Tabakova, Lithuanian Chamber Orchestra, Vaiva Eidukaitytė-Storastienė, Maxim Rysanov is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance sans Paroles - Bonus Track | Felix Godefroid, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
The Smile of the Flamboyant Wings | Dobrinka Tabakova, Goldmund Quartet | F Major | 0 | 7B | 65 BPM | ||
Requiem for Cello Alone: IV. Lacrimosa | Peter Sculthorpe, Pieter Wispelwey | D Minor | 0 | 7A | 131 BPM | ||
Praise | Dobrinka Tabakova, Truro Cathedral Choir, Christopher Gray, Joseph Wicks | E Minor | 1 | 9A | 67 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM | ||
String Quartet No. 1 in D Minor: III. Adagio | Nancy Dalberg, Nordic String Quartet, Heiðrun Petersen, Mads Haugsted Hansen, Daniel Eklund, Lea Emilie Brøndal | G Minor | 0 | 6A | 104 BPM | ||
amour | Jean-Michel Blais | F♯ Major | 2 | 2B | 132 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM |