"Swan Lake, Op.20, TH.12 / Act 2: No.10 Scène (Moderato)" by Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1992. The duration of Swan Lake, Op.20, TH.12 / Act 2: No.10 Scène (Moderato) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Swan Lake, Op.20, TH.12 / Act 2: No.10 Scène (Moderato)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #10. Swan Lake, Op.20, TH.12 / Act 2: No.10 Scène (Moderato) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op.20, TH.12 / Act 2: No.10 Scène (Moderato) by Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
Symphonie No. 1 en re majeur: III. Feierlich und gemessen, ohne zu schleppen (Extrait) | Budapest Symphony Orchestra | A Minor | 0 | 8A | 125 BPM | ||
Scheherazade, Op. 35: Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Maria Larionoff, Seattle Symphony Orchestra, Gerard Schwarz | C Minor | 2 | 5A | 119 BPM | ||
Concerto for Strings, TWV 51:G9: I. Largo | Warmia Symphonic Orchestra, Silvano Frontalini, Giovanni Antonioni | G Major | 2 | 9B | 56 BPM | ||
Peer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato) | Academy of St. Martin in the Fields | E Minor | 2 | 9A | 132 BPM | ||
The White Crow (Arr. Eshkeri and Orch. Dannheisser) | Lisa Batiashvili, London Metropolitan Orchestra, Andy Brown | C Major | 1 | 8B | 138 BPM | ||
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: 13. Dance of the Knights | Sergei Prokofiev, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 0 | 10B | 131 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM |