Budapest Symphony Orchestra's 'Symphonie No. 1 en re majeur: III. Feierlich und gemessen, ohne zu schleppen (Extrait)' had a release date set for January 8, 2018. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Symphonie No. 1 en re majeur: III. Feierlich und gemessen, ohne zu schleppen (Extrait)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Armand Amar's "Le concert" album is number 7 out of 18. On top of that, France appears to be the country where this track was created. Based on our statistics, Symphonie No. 1 en re majeur: III. Feierlich und gemessen, ohne zu schleppen (Extrait)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie No. 1 en re majeur: III. Feierlich und gemessen, ohne zu schleppen (Extrait) by Budapest Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhauser, Act II: Einzug der Gaste auf der Warburg | Richard Wagner, Budapest Symphony Orchestra, György Lehel | B Major | 1 | 1B | 130 BPM | ||
Solveig Song | Edvard Grieg, Ophélie Gaillard, Tim Redmond, Royal Philharmonic Orchestra | G Minor | 3 | 6A | 69 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 8 (orch. Gal) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | A Minor | 1 | 8A | 146 BPM | ||
Le Rêve | Saint-Preux | D Major | 2 | 10B | 83 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Arr. for Cello and Piano by C. Thomas) | Frédéric Chopin, Camille Thomas, Julien Brocal | A Minor | 1 | 8A | 78 BPM | ||
Soy Marco | Alberto Iglesias | A Minor | 1 | 8A | 170 BPM | ||
Sarabande pour cordes et basse continue | George Frideric Handel, Ensemble instrumental de France, Philip Bride, Joël Pontet | E♭ Major | 2 | 5B | 111 BPM | ||
Prélude à l'accident | Philippe Sarde | D Minor | 5 | 7A | 113 BPM | ||
Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM |