"Francesca da Rimini: Act I: Per la terra di maggio (Chorus)" by Riccardo Zandonai, Orchestra Sinfonica Nazionale di Roma della RAI, Coro di Roma della RAI, Antonio Guarnieri was released on August 5, 2014. Francesca da Rimini: Act I: Per la terra di maggio (Chorus) is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Antonio Guarnieri, Maria Caniglia, Orchestra Sinfonica Nazionale di Roma della RAI, Giacinto Prandelli. The song's track number on the album is #7 out of 24 tracks. Based on our data, Italy was the country where this track was produced or recorded. Francesca da Rimini: Act I: Per la terra di maggio (Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini: Act I: Per la terra di maggio (Chorus) by Riccardo Zandonai, Orchestra Sinfonica Nazionale di Roma della RAI, Coro di Roma della RAI, Antonio Guarnieri has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini: Act I: Per la terra di maggio (Chorus) being at 86 テンポ, the half-time would be 43 テンポ with a double-time of 172 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act 1: "Mia gelosa!" | Giacomo Puccini, José Carreras, Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | F Major | 0 | 7B | 140 BPM | ||
Adriana Lecouvreur / Act 1: Adriana! - Che c'è? | Francesco Cilea, Giulio Fioravanti, Renata Tebaldi, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | F Major | 2 | 7B | 130 BPM | ||
Cavalleria rusticana: "Ah! lo vedi, che hai tu detto?" | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 3 | 4A | 133 BPM | ||
Puccini: Suor Angelica: "Ah! Son dannata!" (Suor Angelica, Chorus) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | C Major | 1 | 8B | 74 BPM | ||
Le Villi: Act II - Cammina! Cammina! Cammina!... Ricordi quel che dicevi | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | G Minor | 2 | 6A | 127 BPM | ||
Don Gil de Alcalá: Juntos en Este Jardín (Romanza de Don Gil) - Remastered | Manuel Penella, Marcos Redondo | F♯ Major | 2 | 2B | 69 BPM | ||
Francesca da Rimini, Op. 4, Act II, Scene 9: La botte! La botte! (Gianciotto, Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Chor der Volksoper Wien, Philippe Roillon, Kammerchor Sofia | D♭ Major | 2 | 3B | 123 BPM | ||
Les Pêcheurs de perles: Act III: L'orage s'est calmé...O Nadir (Zurga) | Georges Bizet, Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Major | 1 | 10B | 92 BPM | ||
Donizetti: Roberto Devereux: L'amor suo mi fe' beata... | Gaetano Donizetti, Leyla Gencer, Piero Cappuccilli, Anna Maria Rota, Ruggero Bondino, Gabriele De Julis, Sivano Pagliuca, Bruno Grella, Orchestra e Coro Del Teatro di San Carlo di Napoli | D Major | 2 | 10B | 175 BPM | ||
Francesca da Rimini, Op. 4, Act II, Scene 4: Questo cimento è il giudizio di Dio (Francesca, Paolo, Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Kammerchor Sofia | D♭ Major | 2 | 3B | 123 BPM |