"Francesca da Rimini, Op. 4, Act II, Scene 4: Questo cimento è il giudizio di Dio (Francesca, Paolo, Chorus)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Kammerchor Sofia was released on 1994. The duration of Francesca da Rimini, Op. 4, Act II, Scene 4: Questo cimento è il giudizio di Dio (Francesca, Paolo, Chorus) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Francesca da Rimini, Op. 4, Act II, Scene 4: Questo cimento è il giudizio di Dio (Francesca, Paolo, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #19 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Op. 4, Act II, Scene 4: Questo cimento è il giudizio di Dio (Francesca, Paolo, Chorus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act II, Scene 4: Questo cimento è il giudizio di Dio (Francesca, Paolo, Chorus) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Kammerchor Sofia has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Op. 4, Act II, Scene 4: Questo cimento è il giudizio di Dio (Francesca, Paolo, Chorus) being at 123 テンポ, the half-time would be 62 テンポ with a double-time of 246 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La forza del destino, Act I: Buona notte, mia figlia | Giuseppe Verdi, Dario Russo, Dinara Alieva, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | E Major | 2 | 12B | 80 BPM | ||
La Wally: "Quando a solden" | Mario del Monaco | E♭ Minor | 3 | 2A | 138 BPM | ||
La Gioconda / Act 2: Stella del marinar! | Amilcare Ponchielli, Agnes Baltsa, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 2 | 10B | 90 BPM | ||
Francesca da Rimini: Act I: O Francesca, anima mia (Samaritana, Francesca, Chorus) | Riccardo Zandonai, Orchestra La Scala di Milano, Pinuccia Perotti, Magda Olivero, Coro La Scala di Milano, Gianandrea Gavazzeni | D Minor | 1 | 7A | 80 BPM | ||
Adriana Lecouvreur / Act 1: "Del sultano Amuratte..." - Io son l'umile ancella | Francesco Cilea, Renata Tebaldi, Silvio Maionica, Franco Ricciardi, Giulio Fioravanti, Dora Carral, Fernanda Cadoni, Giovanni Foiani, Angelo Mercuriali, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | A♭ Major | 2 | 4B | 167 BPM | ||
Francesca da Rimini, Op. 4, Act II, Scene 8: O sciagura! sciagura! (Francesca, Gianciotto, Malatestino, Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Philippe Roillon, Kenneth Riegel, Kammerchor Sofia | D Major | 1 | 10B | 74 BPM | ||
Cherubini: Medea, Act 3: "Neris, che hai fatto" (Medea, Neris) | Luigi Cherubini, Maria Callas, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 1 | 7A | 93 BPM | ||
Puccini: Il tabarro: "Avevo ben ragione" (Michele, Giorgetta) | Giacomo Puccini, Carlo Guelfi/Maria Guleghina/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | A♭ Major | 1 | 4B | 65 BPM | ||
Giulietta e Romeo, Act II: Aiuto! Aiuto!... Pel tuo Dio! (Isabella, Romeo) | Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Ornella Rovero, Renato Capecchi | F Minor | 3 | 4A | 76 BPM | ||
Verdi: Il trovatore, Act 1: "All'erta! all'erta!" (Ferrando, Chorus) | Giuseppe Verdi, Antonio Pappano, Ildebrando D'Arcangelo, London Symphony Orchestra | C Major | 1 | 8B | 126 BPM |