"Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ballo - Coro - Ballo - Coro - Ballo" by Christoph Willibald Gluck, Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra was released on 1982. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ballo - Coro - Ballo - Coro - Ballo is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in Christoph Willibald Gluck, Riccardo Muti's "Gluck: Orfeo ed Euridice" album is number 11 out of 35. In terms of popularity, Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ballo - Coro - Ballo - Coro - Ballo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ballo - Coro - Ballo - Coro - Ballo by Christoph Willibald Gluck, Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits (Arr. Rot for Violin and Orchestra) | Christoph Willibald Gluck, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Minor | 0 | 7A | 135 BPM | ||
Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I | Luigi Boccherini, Per Egland, Christian Lindberg, MIN Ensemble | C Minor | 1 | 5A | 97 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Nocturne No. 5 in B-Flat Major | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 73 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM |