"Mystery (Rosary) Sonata: No. 16 in G Minor “The Guardian Angel”: Passacaglia" by Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell was released on March 1, 2024. Since Mystery (Rosary) Sonata: No. 16 in G Minor “The Guardian Angel”: Passacaglia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 17 out of 41 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Alan Choo, Apollo's Fire, Jeannette Sorrell. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Mystery (Rosary) Sonata: No. 16 in G Minor “The Guardian Angel”: Passacaglia's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata: No. 16 in G Minor “The Guardian Angel”: Passacaglia by Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sonnerie de Sainte-Geneviève du mont de Paris | Marin Marais, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 2 | 1A | 119 BPM | ||
Cello Sonata in G Major, Op. 1, No. 6: III. Grave | Benedetto Marcello, Collegium Pro Musica | B Major | 2 | 1B | 96 BPM | ||
Première suite à 3 violes in D Major: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 145 BPM | ||
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
Mensa sonora / PARS III (In A Minor): 2. Sarabanda | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 1 | 1A | 173 BPM | ||
Allegro in A Major | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 90 BPM | ||
Sonata D major | Georg Muffat, John Holloway, Aloysia Assenbaum-Holloway, Lars Ulrik Mortensen | D♭ Major | 2 | 3B | 109 BPM | ||
Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 122 BPM | ||
Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM |