"Rhapsody-Concerto, H. 337: I. Moderato" by Bohuslav Martinů, Maxim Rysanov, BBC Symphony Orchestra, Jiří Bělohlávek was released on May 5, 2015. Since Rhapsody-Concerto, H. 337: I. Moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bohuslav Martinů, Maxim Rysanov's "Martinů: Rhapsody-Concerto, Viola Sonata, 3 Madrigals & Duo No. 2" album is number 1 out of 10. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Rhapsody-Concerto, H. 337: I. Moderato's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rhapsody-Concerto, H. 337: I. Moderato by Bohuslav Martinů, Maxim Rysanov, BBC Symphony Orchestra, Jiří Bělohlávek to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Variations - 'The Seeds Long Hidden': Variation 5 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: III. Adagio religioso | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Initiation II | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | F Major | 1 | 7B | 89 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Anne-Sophie Mutter, Alexis Weissenberg | G Major | 1 | 9B | 147 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Suite for Three Cellos: II. Molto lento | Ferdinand Thieriot, Hamburg Chamber Players | D Minor | 1 | 7A | 105 BPM | ||
Le Tombeau de Couperin, M. 68: III. Forlane (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | B Minor | 1 | 10A | 72 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (1894 Version, Ed. L. Nowak): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Bamberg Symphony, Jakub Hrůša | D Major | 1 | 10B | 134 BPM | ||
Suite from "Pelléas et Mélisande", Op. 46: IV. A Spring in the Park | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | D Minor | 0 | 7A | 88 BPM |