Claude Debussy, Itzhak Perlman, Vladimir Ashkenazy's 'Sonata in G Minor for Violin & Piano, L. 140: 2. Intermède (Fantasque et léger)' came out on January 1, 1995. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 10 in Debussy: Violin Sonata; Cello Sonata/Ravel: Piano Trio by Itzhak Perlman, Lynn Harrell, Vladimir Ashkenazy, Claude Debussy, Maurice Ravel. In terms of popularity, Sonata in G Minor for Violin & Piano, L. 140: 2. Intermède (Fantasque et léger) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata in G Minor for Violin & Piano, L. 140: 2. Intermède (Fantasque et léger) by Claude Debussy, Itzhak Perlman, Vladimir Ashkenazy is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 17 in E Flat | Niccolò Paganini, Itzhak Perlman | E♭ Major | 1 | 5B | 157 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
L'enfant prodigue: Gloire a toi Seigneur… (Lia, Azael, Simeon) | Claude Debussy, Guylaine Girard, Bernard Richter, Alain Buet, Brussels Philharmonic, Herve Niquet | B Major | 4 | 1B | 69 BPM | ||
Glazunov: Violin Concerto in A Minor, Op. 82: II. Andante sostenuto | Alexander Glazunov, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | A♭ Major | 2 | 4B | 108 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: IV. Finale: Allegro assai appassionato | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Minor | 1 | 7A | 79 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Ilya Kaler, Maria Kliegel, RTÉ National Symphony Orchestra, Andrew Constantine | D Major | 0 | 10B | 92 BPM | ||
Sonata per la grand viola, MS 70: I. Introduzione: Larghetto - Recitativo a piacere | Niccolò Paganini, David Aaron Carpenter, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Minor | 0 | 5A | 94 BPM | ||
La boîte à joujoux, L. 128: III. La bergerie à vendre | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 72 BPM |