"Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante" by Johannes Brahms, Ilya Kaler, Maria Kliegel, RTÉ National Symphony Orchestra, Andrew Constantine was released on April 21, 1995. Since Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 6 in Brahms: Double Concerto / Schumann: Cello Concerto in A Minor by Maria Kliegel. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante by Johannes Brahms, Ilya Kaler, Maria Kliegel, RTÉ National Symphony Orchestra, Andrew Constantine is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Trio in G Major, Op. 9, No. 1: II. Adagio, ma non tanto, e cantabile | Ludwig van Beethoven, Attila Falvay, János Fejérvári, György Éder | E Major | 0 | 12B | 122 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM | ||
10 Préludes, Op. 23: No. 1. Largo in F-Sharp Minor | Sergei Rachmaninoff, Nikolai Lugansky | F♯ Minor | 0 | 11A | 73 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Ohlas pisni (Echo of Songs), B. 152 (arr. of Cypresses, B. 11 for string quartet): I Know That on My Love | Antonín Dvořák, Vlach Quartet Prague | D♭ Major | 1 | 3B | 98 BPM | ||
Cello Concerto in A minor, op. 129: III. Finale vivace - Sehr Lebhaft | Robert Schumann, Jean-Guihen Queyras, Freiburger Barockorchester, Pablo Heras-Casado | A Major | 1 | 11B | 117 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Berceuse sur le nom de Gabriel Fauré | Maurice Ravel, Chantal Juillet, Pascal Rogé | C Major | 1 | 8B | 80 BPM | ||
Preludes, L. 123, Book II: II. Feuilles mortes | Claude Debussy, Francesco Piemontesi | D♭ Major | 0 | 3B | 68 BPM | ||
Strauss, R, String Sextet from Capriccio, Op. 65 | Richard Strauss, Artemis Quartet, Thomas Kakuska, Valentin Erben | F Major | 1 | 7B | 82 BPM |